Kung_Fu_Master (post: 1425518) wrote:Stop me if you've heard this all before. *Ahem*
Art is by definition a physical interpretation of a though and/or idea that stimulates any one or combination of the five senses by using an uncountable amount of middens to give it shape.
Now what does that mean?......I'm not sure (and I'm the one that strung those letters together.) but if I had to guess it means as long as there was/is an idea art can be the byproduct. In short: I think, therefor I make art.
ChristianKitsune (post: 1425520) wrote:Could it be I make art, therefore I think?
goldenspines (post: 1425461) wrote:This.
I agree with Ryan and Nate saying that anything can be art, but not everything is going to be "good" art. People have different likes concerning visual representation. Some will like Leonardo and Michael Angelo type art, while others will appreciate the more abstract ideas of Duchamp and Warhol.
In my own personal opinion, (visual) art is simply the visual representation of ideas. Not everyone will see each idea the same way and that's the beauty and creativity of it.
Although, some go to the extreme of this theory. XD Example: http://en.wikipedia.org/wiki/An_Oak_Tree
Mr. SmartyPants wrote:Why can't anything be considered good art? Is an individual wrong if everyone disagrees with him when he sees something he considers as good art?
Yuki-Anne wrote:Also, is it weird that every time I see the title of this thread, "What is ART?" I immediately think, "Baby, don't hurt me... don't hurt me... no more..."
Mr. SmartyPants (post: 1425670) wrote:Why can't anything be considered good art? Is an individual wrong if everyone disagrees with him when he sees something he considers as good art?
Shao Feng-Li (post: 1425788) wrote:Oh man, art is a weird one. I suppose anything can be art in the eye of the beholder. But Picasso's anatomy was horrible, but people like it. Canvases that are painted one solid color hang in galleries. I find that I like any art more when there's balance and order in it- things that you'd find in creation. You know, think about a flower. But of course, God made a flower that looks and smells like rotting meat- and He calls His creation "all very good." Even spiders and roaches. I think I'm getting on a tangent here.
ShiroiHikari (post: 1425810) wrote:What separates the works of great masters from the works of a 15-year-old art student? Does something have to speak to you personally to be considered "art"? Can something only be called a "work of art" if it has a message to convey, or is the still life of a fruit bowl also "art"?
Convincing =).Nate (post: 1425805) wrote:Except that's wrong.
Fish wrote:Art doesn't have to account for or conform to concepts of beauty either.
Not sure if this is in response to what I said, but if so: I never said that beauty was the critereon for something to be art. My post wasn't at all about how to tell whether something is art. Rather, I was only arguing against the claim that there is no such thing as objectivly good or bad art. There are genuine works of art that are not beautiful.mechana2015 (post: 1425808) wrote:Beauty should not be a determination for art. There are paintings of things that arn't beautiful (a famous painting of Kronus eating his children comes to mind) that are absolutely in museums worldwide. Aesthetic appeal should never have determination of something being art, since art, being a reflection of the world we live in in most cases, may not be reflecting something beautiful.
The former is good art, while the later is, unless we are dealing with a prodigy, probably not-so-good art (which is STILL art).ShiroiHikari (post: 1425810) wrote:What separates the works of great masters from the works of a 15-year-old art student?
I concur! This difference is something we all intuitivley recognize and seems to be good evidence in support of the theory that beauty is something objective.RadicalDreamer wrote:What separates the two is the skill level and an understanding of artistic principles. That said, you can't really compare one of Carravaggio's paintings to a 15 year-old's light and dark value studies. There's an entirely different skill level at play.
That was quite moving, Fish. You are a gifted writer.Fish and Chips (post: 1425821) wrote:Every medium that is brings a unique strength to its delivery, a distinct breath no other medium could even remotely emulate, only crudely copy - art that capitalizes on this is Art. You could invent time travel, go back in time to take a photograph of Mona Lisa, but it wouldn't carry the same weight of mystery as Da Vinci's painting. Alternatively, however, you could capture a moment in time, frozen forever, that no painter could be fast enough to record. There are nuances in film no book could ever depict without artificially drawing your attention, but there are books that make you realize and reach an understanding a movie could never convey without sounding preachy
ShiroiHikari (post: 1425810) wrote: What separates the works of great masters from the works of a 15-year-old art student?
TheSubtleDoctor wrote:Convincing =)
I was only arguing against the claim that there is no such thing as objectivly good or bad art.
:stressed: Sweet goodness! Is anyone actually reading my post? I never, ever said that beauty=art, just that beauty=objective (this is the reason we can evaluate art). We agree, Nate! We agree!Nate (post: 1425846) wrote:I do agree, though, that there is objectively good and bad art. However, that doesn't make the bad art "not art" nor does it mean people can't dislike the good art and like the bad art
I did not utter anything to the contrary.Mech wrote:A piece can stand entirely on technical merits and still be considered 'Art' and be nothing but a series of lines and squares in primary colors.
I think people are misunderstanding me. When I talk about beauty, I am not referring to something being pretty or something that evokes a tingly feeling inside of you. I am speaking about an objective standard of excellence or goodness whereby we judge that a piece has aesthetic value.Museums of Modern, Ancient and CLassical art around the country have whole exhibits that are independent of all but a tiny minority's concept of beauty, but contain social, cultural or technical relevance that places them firmly in the world of Art, both modern or ancient.
I never said that, sir. I stated that the argument for the subjectivity of beauty is the same as one of the arguments for the subjectivity of truth. If beauty/truth is objective, then why is there such disagreement about what is true beautiful? And, need I remind you, that disagreement -> subjectivity is actually a non-sequitur, logically speaking.Nate (post: 1425846) wrote:Also, beauty being subjective doesn't make truth subjective, so that part of your argument is completely, totally non sequitur.
Wow. Nope. ThatIsTotallyfalse.png. I merely stated that someone who believes in the subjectivity of beauty has to explain why certain pieces have been considered beautiful by people from all walks of life, for centuries and centuries. Claiming that someone has to explain this is not equivalnet in any way to declaring that popularity=objectively beautiful. The believer in objective beauty can explain this simply, while the believer in the subjectivity of beauty seems to have a difficult time accounting for this (if she can).Especially since your argument boils down to "Since these things are popular that makes them objectively beautiful"
(1)My argument isn't actually ad populum (2) It is an inductive argument, so it doesn't have to be valid, just more probable than the alternative. Like the proofs of God's existence, for example.Appeal to popularity is NEVER a valid point.
mechana2015 (post: 1425857) wrote:Beauty is entirely subjective, based on a complex combination of mental wiring, experiences and culture. It is an invalid method of determining anything except the Miss America pageant and it's like, and is too mercurial to codify anything past individual opinions. I've taken plenty of art history classes and I can tell you that beauty is not a valid tool for evaluation of the significance of a piece, and saying 'it's pretty' would net you an F as an answer to why something was artistically significant. Certain aspects of appeal, such as symmetry or the golden mean can be used as analytical tools, but even they are only situational, and can be altered by other conditions, such as culture and personal experience.
isn't beauty...never said it was. THISit's 'pretty'
is more on the mark of what I meant by beauty. I'll quote myself here:Certain aspects of appeal, such as symmetry or the golden mean
I think people are misunderstanding me. When I talk about beauty, I am not referring to something being pretty or something that evokes a tingly feeling inside of you. I am speaking about an objective standard of excellence or goodness whereby we judge that a piece has aesthetic value.
TheSubtleDoctor wrote:(though my argument hasn't been dealt with)
Maybe I should have just said that aesthetic value is objective.
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