Postby SManBeyond » Sat Jul 24, 2004 6:17 am
Wow. I'm a film critic too, and I actually liked this movie a lot. Roger Ebert is the critic I almost always agree with, and he said that it is the best superhero movie he's ever seen and gave it a four out of four star review. Honestly, I feel the same way. I'm going to respond to each of your complaints, but I really don't want to start an argument. I just want to state my opinion and leave it at that.
Musical Score: I thought the music was pretty good. Sure, it had some of the same themes as the original Spiderman, but that's because it's the "theme" music. I wasn't bothered by it at all, and I particularly liked how they blended in "modern" songs into the movie as well.
No-one talks!: They didn't talk because it wouldn't have made sense. Peter had decided not to tell Mary Jane he was Spiderman at the end of the first one because he didn't want her to get hurt, and I walked in knowing full well that despite any amount of anguish he was going through, he'd never actually tell her because he didn't want to take the risk. Also, I knew Peter wouldn't tell Harry the truth about his father. At the end of the first one, Norman's dying words were "Peter, don't tell Harry", and I know Peter took that to heart. In both of those cases, if I were Peter, I would have made those same two choices, so I didn't find that annoying at all. Characters are far more interesting when they don't act on logical script-cue / autopiolot, but instead do things like a person would in real life.
No hope: There are times in life where everything goes wrong. Job, for instance, had just about everything go wrong for him, but God came through in the end. I've also had moments where everything goes wrong for a few days, but then the darkness lifted. I didn't get the feeling that the movie was saying "no hope". Instead, it was showing a bad set of days in Peter's life, and later showed how the light broke through and things got better. Sure, his grandmother lost the house, but it didn't feel like a plot device, but something that would actually logically happen.
Mary Jane I actually liked Mary Jane a lot better this time around. Her character didn't feel to me like the typical perfect female character companion, but a real woman. Sure, she was a little mean from time to time, but she was confused and thus acted accordingly. I can't blame her for getting mad at Peter, though. How would you feel if someone you liked kept ditching you? She's had that happen too many times to her, and she acted like I'd have expected a person in real life to react.
Losing Powers I liked this element. Plain and simple: He lost his power because he was stressed and lost his focus. People can have their health break down if they're too stressed, and thus Peter lost his powers because he couldn't decide between the life of Spiderman without Mary Jane or the life of Peter Parker with Mary Jane. It made a great deal of sense to me, and once he finally made his choice in his head, his powers returned. I thought this was a great part of the movie.
Toby MacGuire's facial close-ups: Umm...I thought they were realistic, and I didn't find those funny at all. I guess we just react differently to those. It worked well for me because the movie seemed to be focused more on the duality between Peter Parker and Spiderman, and about how the two are really one.
Comic book or realism When an animal senses that it's going to be hurt, it's first instinct is to attack the creature that wants to hurt it and kill it. I didn't think the scene was too creepy or out of place. It made sense to me.
The experiment Granted, it was not the wisest move on Doc Ock's part, but we were shown that he was an arrogant genius and thought that it wouldn't fail. He kept insisting on it, and I suspect Harry wasn't too smart and trusted him on it.
The robotic arms Since this is a comic-book movie, you just have to accept that he was able to create tentacles that could think on their own that he could control with the chip. Having assumed that, everything that happened made sense to me. Those arms needed to have a brain so that he could control them with his own. Since he's arrogant, he wanted to be the one that did everything in the experiment to ensure that there would be no problems, and the arms allowed him to do / hold multiple things at once. Now, regarding the brain control, any extremely intelligent thing doesn't like being controlled, but wants to take control. I thought it made sense that they took control of his body and started influencing him. Allegory-wise, though, I liked it because it reminded me of the theme of sin, much like the Ring in LOTR that was evil, but people used it anyway because of its great power, but eventually the evil took control of them.
And he wanted to rebuild the lab in a harbor because he was crazy, wanted to rebuild it to prove himself right, and the harbor was deserted and far enough out of the way of most people. Let me put it this way: Where else in New York City would you build it?
Train scene I thought the emergency brakes were broken by Doc Ock. Perhaps I'm wrong, but I'm sure he did something to it that prevented them from being able to do that. Oh, and people don't generally encourage people when their lives are in danger. If someone tries to do something to save them and it doesn't work, their attitude isn't gratitude, but frustration and anger: i.e. "Can't you do something?" Very realistic, I thought.
Regarding the mask: if he took it off on top of the train, it's a bit of an error. However, it's a small error I'm willing to let go. Besides, Peter was knocked out for a bit, and I'm sure the kids could have run back and found the mask. Nit-picky errors do not destroy a movie unless they're humongous errors.
Killing sprees Sure, Harry told Doc Ock not to kill Peter, but Doc Ock didn't throw to kill. Since he has intelligent tentacles and a very intelligent brain, he would know that if he threw the car like that, it wouldn't kill him, but just go on top of him and knock him down. Besides, he was crazy, so he wasn't going to react like a normal villain, walk inside of the place and terrorize everyone. I thought throwing the car made a great deal of sense, and I liked the scene a lot.
"Love means to love that which is unlovable; or it is no virtue at all." G. K. Chesterton
Founder of S.T.R.A.W.B.E.R.R.Y. R.H.U.B.A.R.B. P.I.E.
[url=smanbeyond.blogspot.com]My Blog[/url]